Taking Up the Challenge…

…from The World In the Satin Bag (although it did not originate with him).  This is Guardian’s list of Science Fiction and Fantasy Books Everyone Must Read.  Look through it, bold the ones you’ve read, and repost.  How literate are we as scifi fans?  I guess now we’ll find out.

(I’ve read 26)

1. Douglas Adams: The Hitchhiker’s Guide to the Galaxy (1979)
2. Brian W Aldiss: Non-Stop (1958)
3. Isaac Asimov: Foundation (1951)
4. Margaret Atwood: The Blind Assassin (2000)
5. Paul Auster: In the Country of Last Things (1987)
6. Iain Banks: The Wasp Factory (1984)
7. Iain M Banks: Consider Phlebas (1987)
8. Clive Barker: Weaveworld (1987)
9. Nicola Barker: Darkmans (2007)
10. Stephen Baxter: The Time Ships (1995)
11. Greg Bear: Darwin’s Radio (1999)
12. Alfred Bester: The Stars My Destination (1956)
13. Poppy Z Brite: Lost Souls (1992)
14. Algis Budrys: Rogue Moon (1960)
15. Mikhail Bulgakov: The Master and Margarita (1966)
16. Edward Bulwer-Lytton: The Coming Race (1871)
17. Anthony Burgess: A Clockwork Orange (1960)
18. Anthony Burgess: The End of the World News (1982)
19. Edgar Rice Burroughs: A Princess of Mars (1912)
20. William Burroughs: Naked Lunch (1959)
21. Octavia Butler: Kindred (1979)
22. Samuel Butler: Erewhon (1872)
23. Italo Calvino: The Baron in the Trees (1957)
24. Ramsey Campbell: The Influence (1988)
25. Lewis Carroll: Alice’s Adventures in Wonderland (1865)
26. Lewis Carroll: Through the Looking-Glass, and What Alice Found There (1871)
27. Angela Carter: Nights at the Circus (1984)
28. Michael Chabon: The Amazing Adventures of Kavalier and Clay (2000)
29. Arthur C Clarke: Childhood’s End (1953)
30. GK Chesterton: The Man Who Was Thursday (1908)
31. Susanna Clarke: Jonathan Strange and Mr Norrell (2004)
32. Michael G Coney: Hello Summer, Goodbye (1975)
33. Douglas Coupland: Girlfriend in a Coma (1998)
34. Mark Danielewski: House of Leaves (2000)
35. Marie Darrieussecq: Pig Tales (1996)
36. Samuel R Delaney: The Einstein Intersection (1967)
37. Philip K Dick: Do Androids Dream of Electric Sheep? (1968)
38. Philip K Dick: The Man in the High Castle (1962)
39. Umberto Eco: Foucault’s Pendulum (1988)
40. Michel Faber: Under the Skin (2000)
41. John Fowles: The Magus (1966)
42. Neil Gaiman: American Gods (2001)
43. Alan Garner: Red Shift (1973)
44. William Gibson: Neuromancer (1984)
45. Charlotte Perkins Gilman: Herland (1915)
46. William Golding: Lord of the Flies (1954)
47. Joe Haldeman: The Forever War (1974)
48. M John Harrison: Light (2002)
49. Robert A Heinlein: Stranger in a Strange Land (1961)
50. Frank Herbert: Dune (1965)
51. Hermann Hesse: The Glass Bead Game (1943)
52. Russell Hoban: Riddley Walker (1980)
53. James Hogg: The Private Memoirs and Confessions of a Justified Sinner (1824)
54. Michel Houellebecq: Atomised (1998)
55. Aldous Huxley: Brave New World (1932)
56. Kazuo Ishiguro: The Unconsoled (1995)
57. Shirley Jackson: The Haunting of Hill House (1959)
58. Henry James: The Turn of the Screw (1898)
59. PD James: The Children of Men (1992)
60. Richard Jefferies: After London; Or, Wild England (1885)
61. Gwyneth Jones: Bold as Love (2001)
62. Franz Kafka: The Trial (1925)
63. Daniel Keyes: Flowers for Algernon (1966)
64. Stephen King: The Shining (1977)
65. Marghanita Laski: The Victorian Chaise-longue (1953)
66. Joseph Sheridan Le Fanu: Uncle Silas (1864)
67. Stanislaw Lem: Solaris (1961)
68. Doris Lessing: Memoirs of a Survivor (1974)
69. David Lindsay: A Voyage to Arcturus (1920)
70. Ken MacLeod: The Night Sessions (2008)
71. Hilary Mantel: Beyond Black (2005)
72. Michael Marshall Smith: Only Forward (1994)
73. Richard Matheson: I Am Legend (1954)
74. Charles Maturin: Melmoth the Wanderer (1820)
75. Patrick McCabe: The Butcher Boy (1992)
76. Cormac McCarthy: The Road (2006)
77. Jed Mercurio: Ascent (2007)
78. China Miéville: The Scar (2002)
79. Andrew Miller: Ingenious Pain (1997)
80. Walter M Miller Jr: A Canticle for Leibowitz (1960)
81. David Mitchell: Cloud Atlas (2004)
82. Michael Moorcock: Mother London (1988)
83. William Morris: News From Nowhere (1890)
84. Toni Morrison: Beloved (1987)
85. Haruki Murakami: The Wind-up Bird Chronicle (1995)
86. Vladimir Nabokov: Ada or Ardor (1969)
87. Audrey Niffenegger: The Time Traveler’s Wife (2003)
88. Larry Niven: Ringworld (1970)
89. Jeff Noon: Vurt (1993)
90. Flann O’Brien: The Third Policeman (1967)
91. Ben Okri: The Famished Road (1991)
92. Chuck Palahniuk: Fight Club (1996)
93. Thomas Love Peacock: Nightmare Abbey (1818)
94. Mervyn Peake: Titus Groan (1946)
95. John Cowper Powys: A Glastonbury Romance (1932)
96. Christopher Priest: The Prestige (1995)
97. François Rabelais: Gargantua and Pantagruel (1532-34)
98. Ann Radcliffe: The Mysteries of Udolpho (1794)
99. Alastair Reynolds: Revelation Space (2000)
100. Kim Stanley Robinson: The Years of Rice and Salt (2002)
101. JK Rowling: Harry Potter and the Philosopher’s Stone (1997)
102. Salman Rushdie: The Satanic Verses (1988)
103. Antoine de Sainte-Exupéry: The Little Prince (1943)
104. José Saramago: Blindness (1995)
105. Will Self: How the Dead Live (2000)
106. Mary Shelley: Frankenstein (1818)
107. Dan Simmons: Hyperion (1989)
108. Olaf Stapledon: Star Maker (1937)
109. Neal Stephenson: Snow Crash (1992)
110. Robert Louis Stevenson: The Strange Case of Doctor Jekyll and Mr Hyde (1886)
111. Bram Stoker: Dracula (1897)
112. Rupert Thomson: The Insult (1996)
113. Mark Twain: A Connecticut Yankee at King Arthur’s Court (1889)
114. Kurt Vonnegut: Sirens of Titan (1959)
115. Robert Walser: Institute Benjamenta (1909)
116. Sylvia Townsend Warner: Lolly Willowes (1926)
117. Sarah Waters: Affinity (1999)
118. HG Wells: The Time Machine (1895)
119. HG Wells: The War of the Worlds (1898)
120. TH White: The Sword in the Stone (1938)
121. Gene Wolfe: The Book of the New Sun (1980-83)
122. John Wyndham: Day of the Triffids (1951)
123. John Wyndham: The Midwich Cuckoos (1957)
124. Yevgeny Zamyatin: We (1924)

Robot Police!

Well, rent-a-cops anyway.  According to this article on LiveScience, a Japanese company has developed a robotic cop that can be controlled by cell phone (or presumably from a security office – you know, the kind with all the tvs showing feeds from security cameras).  These are being designed specifically for corporate use, to replace human guards, but the company plans to build home security robots as well.  I guess the idea is to avoid risking human beings, since the human controller (the guy with the cell phone) could stay safely in the guard shack while the robot shoots a net over the bad guy.

But wait…weren’t there some science fiction books written about this too?  Something about robots being used for various human functions and developing intelligence and taking over…or marginalizing human beings and creating a dystopia…I’m sure there were.

A Fisherman of the Inland Sea – Ursula LeGuin

You know how some authors can completely immerse the reader in a story with only a few paragraphs, sometimes even just a few words?  How they can give you a complete world in a short story of only a couple of pages?  It’s an amazing and rare ability, and sadly, one that Ursula LeGuin does not have.

A Fisherman of the Inland Sea is a short story collection with a lot of good ideas.  Some of the stories are funny, like First Contact With the Gorgonids about a couple’s run-in with aliens who just landed on Earth.  It tells the reader a lot about the couple and very little about the aliens.  Some are interesting ideas, like Newton’s Sleep and The Rock that Changed Things, exploring human nature and what pushes us to change.  One, Ascent of the North Face, is written as excerpts from a journal and really didn’t have enough to it for me to judge (it barely even made sense).  They are entertaining, but they just aren’t full stories. They are good in the way that early pen and ink sketches of an idea for a statue by a gifted sculptor are good, because you can see the potential in them, but they don’t compare to the finished work.  The Kerastion was the only one of the shorts that felt like a complete world.  It gives a glimpse of an alien culture seen through an unusual funereal practice, and (to continue my metaphor) is more like a full color portrait than a rough pen and ink.

The three stories at the end of the book are much longer, and they build on the universe LeGuin visits most often, with the Hainish Ekumen of Worlds and the ansible.  She takes her technology to the next level in these books, exploring the idea of ‘transilience’ – instantaneous transmission of objects and people from one place to another – and how it might work (or not work, in some cases).  The first, The Shobies, describes the first human attempt at faster than light travel, which is complicated by the differing personalities of the crew.  Dancing to Ganam uses the technology but isn’t really about it.  It focuses instead on the characters, one of whom seriously misunderstands a new culture, leading to disaster.  The title story is the last and best of the book, centering on the emotional development of a powerful main character.  These three stories are more fleshed out and have the quality work I am used to from LeGuin.

Overall, I’m not sorry I read the book, but in the future I will stick to her novels.